Pro Photo Expo in Pasadena

Pro Photo Expo is the Professional Photographers of California annual convention. There you'll find great speakers, like Ken Sklute, whose full-day workshop concluded with a demonstration of how he shoots a wedding reception--complete with wedding cake and buffet!

My favorite workshop was by Greg Stangl, whose marketing tips showed me how to "Damn the Recession!" and take my business full speed ahead.

If you missed the convention, you have another chance in August, when the show comes to San Francisco. Stay posted on the PPC website.

While there, I took the opportunity to try my hand at the new fusion video capabilities of the Canon 5D Mark II. It's still a rough cut, and you don't get the full effect of the HD video online, but it'll give you an idea.


Pro Photo Expo 2009 from Kristi Garrett on Vimeo.

Handpainted backgrounds from Madcamp.biz


Todd Rigione of Madcamp Artistic Backgrounds sold me an awesome handpainted background. Here he is with another of his creations. (Look for mine in a senior photo coming soon!)

He drove all the way from Rapid City, South Dakota, to Pasadena for the Pro Photo Expo. 
Visit his website (madcamp.biz) to see more. You won't be sorry!



Speaking of engagements...


Nina and Micah's engagement shoot was lots of fun. We started at the fountain in front of Tower Cafe, where Micah proposed. 

Then we went to an "undisclosed location" where we'll do portraits of the wedding party on their wedding day. The sunset cast a beautiful warm light on a beautiful couple.
I just love how Micah is cradling her in his arms. So in love!


'Out of the Blue' wins best of show



Inspired by last month's speaker at Professional Photographers of Sacramento Valley, I decided to play around with one of my all-time favorite photos for this month's print competition. The crazy thing took Best of Show! So I'm thrilled, since it's just the second time I've entered a print to be judged by the panel.

This was an image I took of my daughter Mindi late one evening a couple years ago, lit by a lone flood floodlight (the kind you put in your yard!). Inspired by Char Crail's work, I pulled at the subject's hair with the blur tool in Photoshop, desaturated the lit side of her face a bit and popped her eye. The graduation in the lighting of the background is all natural--no filters--from the blue floodlight.

The judges found the image mysterious and dramatic, and a departure from what is normally in the portrait category. I just love the blue. What do you think?

Taking the Canon 5D Mark II for a spin...

I picked up my new Canon 5D Mark II last week, just in time to take it for a test spin at Second Saturday in downtown Sacramento. (Just a reminder of the specs: 21.1 megapixel, full HD video, ISOs to 25600!)

I popped on my 50mm f1.4 lens and headed off to see a friend's art show. (She does beautiful chiaroscuro style oil paintings. See them at http://www.catherinecrable.com/)
(this one shot at 6400 ISO.)

One of the first features I was dying to try was the HD video. Shooting video on the 5D was not very intuitive, so I had to pull out the manual. But it's pretty awesome! First you enable Live View, which is accessed through one dedicated button, a vast improvement from my 40D. And you can use any lens when shooting video, but you do need to focus manually. I found that a bit tricky to do the first time with the lens opened all the way to f1.4. But I'll keep practicing.

I must say, figuring out how to convert and edit the footage isn't very clear. I ended up Googling it and downloaded a free program from squared5.com. Then edited and combined the clips in Windows Moviemaker. But I'm sure there's a better way.
Check out this bit of footage along I Street:

And some stills:


And in Barton's Gallery, the ballet dancers mirrored the sculpture in the window:

In all, using the new 5D Mark II is familar and the learning curve isn't too extreme. I'll just look forward to learning how to shoot and edit video to augment my still photography. I just love the flexibility of super-high ISOs. The body has the same weight and dimensions as the previous 5D, making it a very comfortable fit in my camera bag.
Look for some comparison test shots soon.



My first photo lesson: The rule of thirds

If you’re looking to improve your photos, one of the first places to start is with your composition.
Let’s say you have your eye on a beautiful sunset. Many people would simply point the camera toward the west and click, the top of the frame filled with sky and the bottom half with land or sea.

But you can do better than that. If brilliant pink clouds are what caught your attention, make the most of them by placing the horizon line low in the frame.


On the other hand, if the landscape is more compelling, make it fill the lower two-thirds of the frame, leaving just a sliver of sky.

Basically, to get a pleasing balance to your image, the horizon should be placed either high or low in the frame.

Your eye has a natural tendency to scan a photo, searching for the most interesting parts of an image to rest upon or leave the frame. So your objective is a more interesting, asymmetrical division of your frame. It’s called the Rule of Thirds. Here’s a good discussion of how it works from Richard Burke at eHow.

If your subject dictates a vertical (or portrait) orientation, the same rules apply. Imagine a tic-tac-toe grid across the frame. Place the most interesting elements of your image along those lines. Take several shots, paying no attention to the rules, and then placing the subject about one-third of the way into the frame at each corner (along the intersections of your tic-tac-toe grid). See which ones draw your eye toward a pleasing resting place. You’ll know what I mean if you visit Richard Burke’s link above.

Generally speaking, the way you frame a photo either draws your eye toward the most interesting elements, or leads your eye away and out of the frame with no area of special focus.
You could spend decades studying the fine points of composition, but the Rule of Thirds is a foundational principle that will help you improve the next photos you take.

The camera gives you cover

Normally, I hesitate to insert myself in the middle of a situation for fear of intruding. But with a camera in hand, I feel like I have a cloak of invisibility and can go places I never usually would.

For example, I have a slight fear of heights. But if the shot I want requires climbing onto a precipice and dangling over the edge, I’m there. It’s as if my camera has special powers to protect me. Actually, it's just that I don’t notice my fear because I’m intent on getting the shot.

I recently found myself in Paris during Fashion Week. Inspired by the event, my daughter and a friend who were traveling with us got all dolled up and headed for the Ponte Alexander for a photoshoot. We had costume changes and everything. Now, normally I would have been intimidated by shooting there, among the crowd, since all I had with me was my little Canon G9 travel camera. Who was I to pretend to be a fashion photographer with that little gadget?


Amazingly enough, once my model was in place, thirst for the shot took over and I had nary a nerve the whole time. Passersby even stopped to watch and shoot a few frames themselves!

Sure, I would have loved to have my studio camera and the shots could have been better, but the shoot was great fun. I think that’s what’s most important -- recognizing a rare opportunity and seizing it. And if any of those passersby were giggling at me behind my back, I’ll never know!